This upsurge soon extended to contemporary and recently deceased artists.
the contemporary buyers knew that they were not genuine.During the classical period art was generally created for historical reference, religious inspiration, or simply aesthetic enjoyment.The identity of the artist was often of little importance to the buyer.During the Renaissance, many painters took on apprentices who studied painting techniques by copying the works and style of the master.[Download message RAW] --==============(77462805484968871=Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Log: dic with frequency info! Long attributed to Goya, is now thought to have been painted by the 19th-century forger Eugenic Lucas.
Elements of the painting appear to have been copied from autographed works by Goya, and the painting is therefore classified as a pastiche. Art forgery is the creating and selling of works of art which are falsely credited to other, usually more famous artists.
Art forgery can be extremely lucrative, but modern dating and analysis techniques have made the identification of forged artwork much simpler.
As a payment for the training, the master would then sell these works.
This practice was generally considered a tribute, not forgery, although some of these copies have later erroneously been attributed to the master.
Following the Renaissance, the increasing prosperity of the middle class created a fierce demand for art.
Near the end of the 14th century, Roman statues were unearthed in Italy, intensifying the populace’s interest in antiquities, and leading to a sharp increase in the value of these objects.